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Auditorium with acoustic panels and soundproofing

For projects in Seattle

Auditorium acoustics and soundproofing in Seattle

A large hard volume where speech falls apart long before anyone calls the room echoey. The target is intelligibility at the back row, which is a reverberation and early reflection problem, not a loudspeaker problem. Churches, school gyms and multipurpose halls double as performance spaces, which means a room designed for neither speech nor music has to carry both.

Reverberation time
Set against use. Speech and music want different numbers, and a dual use hall needs a decision.
Early reflections
Shaped surfaces that send energy to the rear seats rather than absorbing everything.
Rear wall
The single worst surface in most halls, and the first one to treat.
Quote
From a plan and a section, within 48 hours

01 / The material

What you are buying, and what it fixes in Seattle

A large hard volume where speech falls apart long before anyone calls the room echoey. The target is intelligibility at the back row, which is a reverberation and early reflection problem, not a loudspeaker problem.

Churches, school gyms and multipurpose halls double as performance spaces, which means a room designed for neither speech nor music has to carry both.

Work reaching us from Seattle is mostly mass timber offices, tech campuses, multifamily, studios, schools, clinics.

  • Mass timber is still light Exposed timber looks solid and performs nothing like concrete at low frequency. It also cannot be covered, because the timber is the design, so the acoustic work has to happen where it will not be seen.
  • Rain on the roof Metal and membrane roofs over open volumes turn heavy rain into a noise source. It is worth designing for rather than discovering in the first storm.
  • Campus open plans Large tech floors with exposed structure and hard finishes carry speech a long way. The ceiling plane and screens have to do what the walls are not there to do.
  • Reverberation time Set against use. Speech and music want different numbers, and a dual use hall needs a decision.

Full specification

Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for auditorium acoustics are on the main product page. This page covers what that means for a project in Seattle.

Auditorium soundproofing Wood wool acoustic panels

02 / The build-up

The build-up, layer by layer

  1. PET acoustic felt wall panels in office interior

    Layer 1

    PET felt acoustic panels

    A rigid non-woven panel pressed from 100% polyester fibre, a large part of it recycled. In Seattle, packaged rooftop units and ducted forced air are standard, so noise arrives through the duct rather than through the wall. Lining the first three metres of duct and treating the return path is usually the whole job.

    Direct to wall. Panel bonded or mechanically fixed flat to the substrate. Simplest, and the weakest at low frequency.

  2. Acoustic hanging ceiling baffles in a large open space

    Layer 2

    Ceiling baffles and clouds

    PET felt suspended from the soffit, vertically as baffles or horizontally as clouds. In Seattle, churches, school gyms and multipurpose halls double as performance spaces, which means a room designed for neither speech nor music has to carry both.

    Mixed with services. Set out around ducts, trays and lighting rather than fighting them, coordinated from your reflected ceiling plan.

  3. Acoustic carpet tiles and rugs on a modern floor

    Layer 3

    Acoustic carpet and rugs

    A tile carpet with a dense polyester face on a felt backing. In Seattle, public school buildings run long corridors with hard floors and lay-in tile ceilings that were chosen for cost, not for speech. Classroom reverberation and corridor spill are the two complaints, and both respond to ceiling area rather than wall panels.

    Zoned. Carpet in the circulation and meeting zones, hard floor elsewhere, so the treatment sits where the noise is made.

We would rather argue about the build-up at design stage than on site. See how we support architects.

03 / Local conditions

The Seattle conditions that change the answer

  • Mass timber is still light

    Exposed timber looks solid and performs nothing like concrete at low frequency. It also cannot be covered, because the timber is the design, so the acoustic work has to happen where it will not be seen.

  • Rain on the roof

    Metal and membrane roofs over open volumes turn heavy rain into a noise source. It is worth designing for rather than discovering in the first storm.

  • Campus open plans

    Large tech floors with exposed structure and hard finishes carry speech a long way. The ceiling plane and screens have to do what the walls are not there to do.

  • The port is right here

    Containers land at Seattle or Tacoma, so there is no cross-country leg. That keeps the landed cost and the date both predictable.

  • Assembly and performance rooms

    Churches, school gyms and multipurpose halls double as performance spaces, which means a room designed for neither speech nor music has to carry both.

  • School and campus buildings

    Public school buildings run long corridors with hard floors and lay-in tile ceilings that were chosen for cost, not for speech. Classroom reverberation and corridor spill are the two complaints, and both respond to ceiling area rather than wall panels.

04 / Room by room

Room by room, on a typical Seattle job

  • Auditorium walls with wood wool, felt and wooden slats

    Reverberation time

    Set against use. Speech and music want different numbers, and a dual use hall needs a decision. Exposed timber looks solid and performs nothing like concrete at low frequency. It also cannot be covered, because the timber is the design, so the acoustic work has to happen where it will not be seen.

  • Auditorium ceiling with acoustic baffles and clouds

    Early reflections

    Shaped surfaces that send energy to the rear seats rather than absorbing everything. Metal and membrane roofs over open volumes turn heavy rain into a noise source. It is worth designing for rather than discovering in the first storm.

  • Auditorium floor with acoustic carpeting

    Rear wall

    The single worst surface in most halls, and the first one to treat. Large tech floors with exposed structure and hard finishes carry speech a long way. The ceiling plane and screens have to do what the walls are not there to do.

For a Seattle interior where the finish leads, we will say plainly what each option costs you acoustically. See how we work with interior designers.

04 / Climate and durability

What the Seattle climate rules in and rules out

Seattle is mild summers and cold, wet winters, and that narrows the material list before acoustics is discussed.

Cold external walls and long heating seasons make condensation behind a lining the thing to design out. PET felt is unaffected by damp air.

The failure we design against here is condensation and cold bridging behind new linings.

If a consultant has set the target, we will quote against their figures rather than ours, and stay out of the scope they own. More on working with acoustic consultants.

06 / Before you buy

The six errors that cost the most

  • Absorbing the whole room and losing the back rows

    Small on the drawing, expensive on site, and almost always found after handover.

  • Adding speakers to fix a reverberation problem

    This is the one that comes back as a second fit-out rather than a snag.

  • Ignoring the rear wall because it is behind the audience

    This is the one that comes back as a second fit-out rather than a snag.

  • Treating it as a generic Seattle job

    Exposed timber looks solid and performs nothing like concrete at low frequency. It also cannot be covered, because the timber is the design, so the acoustic work has to happen where it will not be seen.

05 / Getting it there

Supply into Seattle, start to site

Supply into Seattle
Ships fromPalwal, Haryana, India
Arrives atSeattle or Tacoma, then a short road run to site
Dispatch4 to 7 working days
FreightSea into Seattle or Tacoma
SupportDrawings, build-ups, BOQ and material that arrives complete

Standard items dispatch in 4 to 7 working days. The sea leg from India is long, so plan the full door to door window into the programme. We give real dates, not optimistic ones.

Sea freight into Seattle or Tacoma, then a short road run to site. Air freight for samples and urgent quantities.

FAQ

Questions from Seattle projects

What makes auditorium acoustics and soundproofing different in Seattle?

Churches, school gyms and multipurpose halls double as performance spaces, which means a room designed for neither speech nor music has to carry both. Exposed timber looks solid and performs nothing like concrete at low frequency. It also cannot be covered, because the timber is the design, so the acoustic work has to happen where it will not be seen.

Where should the budget go first on a Seattle project?

Reverberation time. Set against use. Speech and music want different numbers, and a dual use hall needs a decision. Early reflections. Shaped surfaces that send energy to the rear seats rather than absorbing everything.

Do you have an office or installation team in Seattle?

No. We manufacture in India and supply into Seattle. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.

How does material get to a Seattle site?

ships from: Palwal, Haryana, India, arrives at: Seattle or Tacoma, then a short road run to site, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. The sea leg from India is long, so plan the full door to door window into the programme. We give real dates, not optimistic ones.

What goes wrong most often on this kind of project?

Absorbing the whole room and losing the back rows. Adding speakers to fix a reverberation problem.

What do you need from us to quote?

A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.

Next step

Tell us the room, we will tell you the build-up

A plan and a section is enough. We will come back with a build-up, a BOQ and a delivered date, and we will say so if what you are asking for will not work.