For projects in Munich
Venue and restaurant acoustics in Munich
Two different jobs that get quoted as one: keeping bass inside the building for the neighbours, and making the room comfortable enough that guests can talk. Solving one does nothing for the other. Concert halls, church buildings and civic Saal spaces are long-reverberation rooms where any intervention has to be reversible and visually disciplined.
- Containment
- Low frequency through structure to flats above and beside. Mass, decoupling and a sealed envelope.
- Table level comfort
- Absorption at the ceiling so guests stop raising their voices at each other.
- Entrance and service
- Doors, lobbies and extract paths, which is where most of the leakage actually is.
- Quote
- From a plan and a section, within 48 hours
01 / Start here
The product, described honestly, for a Munich brief
Two different jobs that get quoted as one: keeping bass inside the building for the neighbours, and making the room comfortable enough that guests can talk. Solving one does nothing for the other.
Concert halls, church buildings and civic Saal spaces are long-reverberation rooms where any intervention has to be reversible and visually disciplined.
Work reaching us from Munich is mostly apartments and villas, corporate floors, studios, hotels, clinics, schools.
- Altbau above, concrete below A stucco ceilinged Altbau flat and a post-war concrete block need different answers to the same complaint. We ask which one you are in before we quote anything.
- Specified, with numbers attached Send us the acoustician report and the target values. We will tell you what our build-up gets to and where it falls short, in writing, before you commit.
- Floor area is expensive here Every centimetre the wall grows into the room is money. A dense membrane plus a resilient layer usually beats a thick framed build-up on both cost and depth.
- Containment Low frequency through structure to flats above and beside. Mass, decoupling and a sealed envelope.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for venue soundproofing are on the main product page. This page covers what that means for a project in Munich.
Nightclub and venue soundproofing SoundBlanket mass loaded vinyl
02 / The build-up
The stack, in the order it is installed
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Layer 1
SoundBlanket mass loaded vinyl
A limp, high density sheet that adds mass to a partition, floor or duct without adding depth. In Munich, mechanical ventilation with heat recovery is standard in newer stock, so duct-borne noise and terminal unit noise are the sources rather than open windows.
Duct and plant wrap. Membrane wrapped over the duct with a decoupling layer beneath, sealed at every lap.
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Layer 2
Acoustic panels
The full absorber range rather than one product: plain PET felt, printed felt, grooved panels and fabric finishes, chosen by how the room is used and how it has to look. In Munich, concert halls, church buildings and civic Saal spaces are long-reverberation rooms where any intervention has to be reversible and visually disciplined.
Wall array. Panels placed at first reflection points rather than spread evenly. Fewer panels, better result.
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Layer 3
Wooden slat acoustic panels
Timber slats on an acoustic backing. In Munich, school and university buildings are built to a high thermal standard with hard, cleanable surfaces. Speech clarity in classrooms and long corridors is where the acoustic budget goes.
Slats on felt backing. The standard. Absorption comes from the backing behind the gaps, so the slat gap ratio is an acoustic decision, not only a visual one.
If you are specifying for a Munich project, we can give you a section, a BOQ and the honest limits of each layer. See how we support architects.
03 / In this market
What we see driving Munich briefs
- Altbau above, concrete below
A stucco ceilinged Altbau flat and a post-war concrete block need different answers to the same complaint. We ask which one you are in before we quote anything.
- Specified, with numbers attached
Send us the acoustician report and the target values. We will tell you what our build-up gets to and where it falls short, in writing, before you commit.
- Floor area is expensive here
Every centimetre the wall grows into the room is money. A dense membrane plus a resilient layer usually beats a thick framed build-up on both cost and depth.
- Corporate and studio work
Head office floors, media rooms and production studios around the city want measured performance and a finish that survives a design review.
- Assembly and performance rooms
Concert halls, church buildings and civic Saal spaces are long-reverberation rooms where any intervention has to be reversible and visually disciplined.
04 / Room by room
What each space in a Munich project needs
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Containment
Low frequency through structure to flats above and beside. Mass, decoupling and a sealed envelope. A stucco ceilinged Altbau flat and a post-war concrete block need different answers to the same complaint. We ask which one you are in before we quote anything.
- Soundproofing materials, 2100 kg per cubic metre. 2.5 mm STC 30 at 5.25 kg per sq m, 4 mm STC 34 at 8.4, 6 mm at 12.6
- Acoustic panels, 1800 x 900 mm, image printed into the felt rather than onto a facing
- Wooden slat acoustic panels, 2440 x 192 mm and 2440 x 128 mm
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Table level comfort
Absorption at the ceiling so guests stop raising their voices at each other. Send us the acoustician report and the target values. We will tell you what our build-up gets to and where it falls short, in writing, before you commit.
- Soundproofing materials, 1800 x 900 x 20 mm, 100 kg per cubic metre, NRC 0.85
- Acoustic panels, Cut pattern in PET felt, adds visual rhythm without changing the absorber
- Wooden slat acoustic panels, 14, 16 and 18 mm
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Entrance and service
Doors, lobbies and extract paths, which is where most of the leakage actually is. Every centimetre the wall grows into the room is money. A dense membrane plus a resilient layer usually beats a thick framed build-up on both cost and depth.
- Soundproofing materials, Mass, then decoupling, then cavity absorption, then sealing
- Acoustic panels, ASTM C423
- Wooden slat acoustic panels, 96 sq ft per unit
Designers get colour, pattern and CNC options with the absorption figure attached to each. See how we work with interior designers.
04 / Climate and durability
What the Munich climate rules in and rules out
Munich is cool and damp, with long heating seasons and cold external walls, and that narrows the material list before acoustics is discussed.
Cold wall build-ups and long heating seasons mean interstitial condensation is a real risk behind any lining. PET felt is unaffected by damp air and will not feed mould where a fabric-faced mineral product would.
The failure we design against here is condensation behind linings in older, poorly insulated stock.
If a consultant has set the target, we will quote against their figures rather than ours, and stay out of the scope they own. More on working with acoustic consultants.
06 / Before you buy
Where this kind of project usually fails
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Panels on the wall as a neighbour noise solution
Small on the drawing, expensive on site, and almost always found after handover.
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A lobby with both doors able to open at once
A 6 mm undercut under a door leaves a hole the size of a brick. The wall around it is then decorative.
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Extract ducting that bypasses every wall you built
Plant noise treated as a room problem is the most reliable way to spend a budget and change nothing anyone can hear.
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Treating it as a generic Munich job
A stucco ceilinged Altbau flat and a post-war concrete block need different answers to the same complaint. We ask which one you are in before we quote anything.
05 / Route to site
What the route into Munich actually looks like
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | Hamburg or Bremerhaven, then rail and road south to Bavaria |
| Dispatch | 4 to 7 working days |
| Freight | Sea via Hamburg |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order.
Sea freight into Hamburg or Bremerhaven, then rail and road south. It is a long inland leg and we build it into the dates we give you rather than pretending it is not there.
Questions from Munich projects
What makes venue and restaurant acoustics different in Munich?
Concert halls, church buildings and civic Saal spaces are long-reverberation rooms where any intervention has to be reversible and visually disciplined. A stucco ceilinged Altbau flat and a post-war concrete block need different answers to the same complaint. We ask which one you are in before we quote anything.
Where should the budget go first on a Munich project?
Containment. Low frequency through structure to flats above and beside. Mass, decoupling and a sealed envelope. Table level comfort. Absorption at the ceiling so guests stop raising their voices at each other.
Do you have an office or installation team in Munich?
No. We manufacture in India and supply into Munich. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Munich site?
ships from: Palwal, Haryana, India, arrives at: Hamburg or Bremerhaven, then rail and road south to Bavaria, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order.
What goes wrong most often on this kind of project?
Panels on the wall as a neighbour noise solution. A lobby with both doors able to open at once.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Drawings in, BOQ and a delivered date out
We quote from drawings, not from a square foot rate. Send a plan and the section through the critical wall or ceiling and you will get something you can actually build from.