For projects in Prague
School and classroom acoustics in Prague
Hard floors, bare walls and long corridors that amplify everything. Children with developing language, and anyone with a hearing difficulty, lose more from a live classroom than adults do, which is why intelligibility is the target rather than quiet. School buildings are hard surfaced with long corridors, and gymnasiums double as assembly halls.
- Classroom RT
- A number, set against room volume, achieved mostly at the ceiling.
- Corridor spill
- Long hard circulation feeds every room off it. Treating the corridor helps every classroom at once.
- Halls and gyms
- Dual use rooms carrying speech, music and sport, where durability decides the product.
- Quote
- From a plan and a section, within 48 hours
01 / What it is
The product, described honestly, for a Prague brief
Hard floors, bare walls and long corridors that amplify everything. Children with developing language, and anyone with a hearing difficulty, lose more from a live classroom than adults do, which is why intelligibility is the target rather than quiet.
School buildings are hard surfaced with long corridors, and gymnasiums double as assembly halls.
Work reaching us from Prague is mostly hotel conversions, apartments, production and studio spaces, offices, restaurants, clinics.
- Protected buildings, internal fixes only In the centre you often cannot alter the structure or the facade. The work has to be internal, shallow and ideally reversible, which rules out most thick framed systems.
- Conversions into guest rooms Old buildings divided into hotel rooms and short lets put beds either side of walls that were never separating walls. Door and corridor details cause more complaints than anything else.
- A production city Stages, edit rooms and post production spaces need the shell to isolate before anything else is decided. There is no partial credit on a room like that.
- Classroom RT A number, set against room volume, achieved mostly at the ceiling.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for school acoustics are on the main product page. This page covers what that means for a project in Prague.
02 / The build-up
The stack, in the order it is installed
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Layer 1
PET felt acoustic panels
A rigid non-woven panel pressed from 100% polyester fibre, a large part of it recycled. In Prague, mechanical ventilation in newer buildings and radiator heating in older stock, so duct noise is a newer problem than it looks.
Direct to wall. Panel bonded or mechanically fixed flat to the substrate. Simplest, and the weakest at low frequency.
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Layer 2
Wood wool acoustic panels
Wood fibre bound into a rigid board with an open texture. In Prague, concert halls, church buildings and civic rooms are long-decay volumes in stone and plaster.
On a cavity. Mounted on battens with an air gap, which is where the low mid performance comes from.
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Layer 3
Acoustic panels
The full absorber range rather than one product: plain PET felt, printed felt, grooved panels and fabric finishes, chosen by how the room is used and how it has to look. In Prague, school buildings are hard surfaced with long corridors, and gymnasiums double as assembly halls.
Wall array. Panels placed at first reflection points rather than spread evenly. Fewer panels, better result.
We would rather argue about the build-up at design stage than on site. See how we support architects.
03 / In this market
What we see driving Prague briefs
- Protected buildings, internal fixes only
In the centre you often cannot alter the structure or the facade. The work has to be internal, shallow and ideally reversible, which rules out most thick framed systems.
- Conversions into guest rooms
Old buildings divided into hotel rooms and short lets put beds either side of walls that were never separating walls. Door and corridor details cause more complaints than anything else.
- A production city
Stages, edit rooms and post production spaces need the shell to isolate before anything else is decided. There is no partial credit on a room like that.
- Hard stone, long reverberation
Stone, plaster and tile in tall rooms hold sound for a long time. Speech stops being intelligible well before the room sounds obviously wrong.
- Assembly and performance rooms
Concert halls, church buildings and civic rooms are long-decay volumes in stone and plaster.
- School and campus buildings
School buildings are hard surfaced with long corridors, and gymnasiums double as assembly halls.
04 / Room by room
Room by room, on a typical Prague job
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Classroom RT
A number, set against room volume, achieved mostly at the ceiling. In the centre you often cannot alter the structure or the facade. The work has to be internal, shallow and ideally reversible, which rules out most thick framed systems.
- PET felt acoustic panels, 100% PET non-woven, no added binder
- Ceiling baffles and clouds, 9 to 24 mm
- Acoustic panels, Cut pattern in PET felt, adds visual rhythm without changing the absorber
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Corridor spill
Long hard circulation feeds every room off it. Treating the corridor helps every classroom at once. Old buildings divided into hotel rooms and short lets put beds either side of walls that were never separating walls. Door and corridor details cause more complaints than anything else.
- PET felt acoustic panels, 9, 12, 18 and 24 mm standard, tolerance plus or minus 5 percent
- Ceiling baffles and clouds, Made to the drawing, standard and custom
- Acoustic panels, ASTM C423
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Halls and gyms
Dual use rooms carrying speech, music and sport, where durability decides the product. Stages, edit rooms and post production spaces need the shell to isolate before anything else is decided. There is no partial credit on a room like that.
- PET felt acoustic panels, 4 to 24 mm
- Ceiling baffles and clouds, Both faces work, which is why suspended area outperforms the same area laid flat
- Acoustic panels, 9 to 24 mm, 1220 x 2440 mm standard, up to 2440 x 4270 mm, 1200 to 3600 GSM
If the visual is fixed and the room still has to perform, that is a solvable problem and a conversation worth having early. See how we work with interior designers.
04 / Durability
Why the climate in Prague changes the material, not the target
Prague is cool and damp, with long heating seasons and cold external walls, and that narrows the material list before acoustics is discussed.
Cold wall build-ups and long heating seasons mean interstitial condensation is a real risk behind any lining. PET felt is unaffected by damp air and will not feed mould where a fabric-faced mineral product would.
The failure we design against here is condensation behind linings in older, poorly insulated stock.
Consultants get the raw data, not a sales sheet. That is the whole of our side of the job, and it is set out under working with acoustic consultants.
06 / Before you buy
What we watch go wrong on jobs like this
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Panels at child height where they get damaged
It sounds like a small detail until the room is finished and the complaint arrives.
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Treating one classroom and leaving the corridor
Small on the drawing, expensive on site, and almost always found after handover.
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Choosing a product that cannot take a football
Enclose the machine, break the vibration path, then deal with what is left. Doing it in the other order costs more and achieves less.
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Treating it as a generic Prague job
In the centre you often cannot alter the structure or the facade. The work has to be internal, shallow and ideally reversible, which rules out most thick framed systems.
05 / Supply
Getting it to Prague, with real dates
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | Hamburg, then rail and road into Prague |
| Dispatch | 4 to 7 working days |
| Freight | Sea via Hamburg |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
Sea freight into Hamburg, then rail and road into Prague. Air freight for samples and urgent quantities.
Questions from Prague projects
What makes school and classroom acoustics different in Prague?
School buildings are hard surfaced with long corridors, and gymnasiums double as assembly halls. In the centre you often cannot alter the structure or the facade. The work has to be internal, shallow and ideally reversible, which rules out most thick framed systems.
Where should the budget go first on a Prague project?
Classroom RT. A number, set against room volume, achieved mostly at the ceiling. Corridor spill. Long hard circulation feeds every room off it. Treating the corridor helps every classroom at once.
Do you have an office or installation team in Prague?
No. We manufacture in India and supply into Prague. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Prague site?
ships from: Palwal, Haryana, India, arrives at: Hamburg, then rail and road into Prague, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
What goes wrong most often on this kind of project?
Panels at child height where they get damaged. Treating one classroom and leaving the corridor.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Send the drawings, get a straight answer
One drawing gets you a proper answer. Build-up, quantities, a delivered date, and an honest note on anything we think is the wrong approach.