For projects in Mecca
Home theatre soundproofing and acoustics in Mecca
Serious equipment in a room with no isolation plan. The complaint is almost never the speakers. It is bass leaving the room and an untreated box making the system sound worse than it is. Villas and apartment blocks are concrete and block with hard stone or tile throughout. Mass is there, but every room is live and impact noise between floors is untreated.
- Containment
- Bass through the wall, floor and door. Mass and decoupling, with the door usually the weakest point.
- Low frequency inside
- Corner absorption with depth, before any surface treatment.
- Reflections
- Side wall and ceiling first reflection points at the seating position.
- Quote
- From a plan and a section, within 48 hours
01 / The product
What you are buying, and what it fixes in Mecca
Serious equipment in a room with no isolation plan. The complaint is almost never the speakers. It is bass leaving the room and an untreated box making the system sound worse than it is.
Villas and apartment blocks are concrete and block with hard stone or tile throughout. Mass is there, but every room is live and impact noise between floors is untreated.
Work reaching us from Mecca is mostly hotel guest rooms and corridors, lobbies, assembly and function halls, offices, clinics.
- Rooms occupied around the clock In peak season somebody is always asleep and somebody is always in the corridor. Guest room isolation carries the whole guest experience, and door and corridor details cause more complaints than walls do.
- Refurbishment windows do not move Work happens between seasons, on dates fixed long in advance. We give real dispatch and transit dates so the programme is not waiting on a container that will not land in time.
- Repeat detail at scale A thousand rooms means the same build-up a thousand times. Consistent thickness and density across the whole order matters more than the headline figure on any one sheet.
- Containment Bass through the wall, floor and door. Mass and decoupling, with the door usually the weakest point.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for home theatre soundproofing are on the main product page. This page covers what that means for a project in Mecca.
02 / The build-up
How the layers stack, from the structure inwards
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Layer 1
Soundproofing materials
The blocking side of the range taken together: mass loaded vinyl, resilient layers, cavity absorption and the build-ups they belong in. In Mecca, cooling runs year round at high load, so chillers, AHUs and large duct runs are constant sources. Plant room lining and duct attenuation carry most of the result.
Independent leaf. A second wall that does not touch the first. Nothing else comes close for the money.
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Layer 2
Soundproof curtains
A layered curtain with a mass loaded vinyl core, used where an opening has to stay an opening. In Mecca, mosques, conference halls and hotel ballrooms are tall hard volumes where intelligibility over a long reverberation tail is the whole brief.
Full height with return. Curtain taken floor to soffit with a side return and an overlap, because the gap is what leaks, not the fabric.
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Layer 3
Acoustic carpet and rugs
A tile carpet with a dense polyester face on a felt backing. In Mecca, new school and university buildings are large, hard and highly glazed. Lecture theatres and sports halls are the spaces that fail first, and ceiling absorption is the practical fix.
Zoned. Carpet in the circulation and meeting zones, hard floor elsewhere, so the treatment sits where the noise is made.
If you are specifying for a Mecca project, we can give you a section, a BOQ and the honest limits of each layer. See how we support architects.
03 / In this market
What decides the build-up in Mecca
- Rooms occupied around the clock
In peak season somebody is always asleep and somebody is always in the corridor. Guest room isolation carries the whole guest experience, and door and corridor details cause more complaints than walls do.
- Refurbishment windows do not move
Work happens between seasons, on dates fixed long in advance. We give real dispatch and transit dates so the programme is not waiting on a container that will not land in time.
- Repeat detail at scale
A thousand rooms means the same build-up a thousand times. Consistent thickness and density across the whole order matters more than the headline figure on any one sheet.
- Halls built for crowds
Large assembly and function spaces in hard concrete carry long reverberation. Speech stops being intelligible long before the room sounds obviously wrong.
- The housing stock
Villas and apartment blocks are concrete and block with hard stone or tile throughout. Mass is there, but every room is live and impact noise between floors is untreated.
04 / Room by room
Room by room, on a typical Mecca job
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Containment
Bass through the wall, floor and door. Mass and decoupling, with the door usually the weakest point. In peak season somebody is always asleep and somebody is always in the corridor. Guest room isolation carries the whole guest experience, and door and corridor details cause more complaints than walls do.
- Acoustic foam and BassBloc, 1800 x 900 mm
- Soundproofing materials, 1800 x 900 x 20 mm, 100 kg per cubic metre, NRC 0.85
- Soundproof curtains, 5.5 kg per sq m
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Low frequency inside
Corner absorption with depth, before any surface treatment. Work happens between seasons, on dates fixed long in advance. We give real dispatch and transit dates so the programme is not waiting on a container that will not land in time.
- Acoustic foam and BassBloc, 20 mm
- Soundproofing materials, Mass, then decoupling, then cavity absorption, then sealing
- Soundproof curtains, Up to 30 dB
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Reflections
Side wall and ceiling first reflection points at the seating position. A thousand rooms means the same build-up a thousand times. Consistent thickness and density across the whole order matters more than the headline figure on any one sheet.
- Acoustic foam and BassBloc, 100 kg per cubic metre
- Soundproofing materials, ASTM E90 for the barrier, ASTM C423 for the absorber
- Soundproof curtains, 30
Designers get colour, pattern and CNC options with the absorption figure attached to each. See how we work with interior designers.
04 / Climate and durability
Durability in Mecca, before acoustics is discussed
Mecca is hot and dry for most of the year, with dust and high daytime surface temperatures, and that narrows the material list before acoustics is discussed.
Dust is the enemy of open-cell products. PET felt does not shed, does not hold dust in the way fabric-wrapped glass wool does, and wipes down. Timber needs a stable indoor RH or it moves.
The failure we design against here is dust ingress and thermal movement in long runs.
Consultants get the raw data, not a sales sheet. That is the whole of our side of the job, and it is set out under working with acoustic consultants.
06 / Worth knowing
The six errors that cost the most
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Foam on the walls as a soundproofing measure
Small on the drawing, expensive on site, and almost always found after handover.
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A standard door on a room built to hold bass
A 6 mm undercut under a door leaves a hole the size of a brick. The wall around it is then decorative.
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Treating before the room is sealed
Soundproofing fails at the gaps, not the materials. One unsealed service penetration can undo a correctly built wall.
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Treating it as a generic Mecca job
In peak season somebody is always asleep and somebody is always in the corridor. Guest room isolation carries the whole guest experience, and door and corridor details cause more complaints than walls do.
05 / Supply
Getting it to Mecca, with real dates
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | Jeddah, then a short road run to site |
| Dispatch | 4 to 7 working days |
| Freight | Sea via Jeddah |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
Sea freight into Jeddah, then a short road run to site. Air freight for samples and urgent quantities.
Questions from Mecca projects
What makes home theatre soundproofing and acoustics different in Mecca?
Villas and apartment blocks are concrete and block with hard stone or tile throughout. Mass is there, but every room is live and impact noise between floors is untreated. In peak season somebody is always asleep and somebody is always in the corridor. Guest room isolation carries the whole guest experience, and door and corridor details cause more complaints than walls do.
Where should the budget go first on a Mecca project?
Containment. Bass through the wall, floor and door. Mass and decoupling, with the door usually the weakest point. Low frequency inside. Corner absorption with depth, before any surface treatment.
Do you have an office or installation team in Mecca?
No. We manufacture in India and supply into Mecca. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Mecca site?
ships from: Palwal, Haryana, India, arrives at: Jeddah, then a short road run to site, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
What goes wrong most often on this kind of project?
Foam on the walls as a soundproofing measure. A standard door on a room built to hold bass.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Drawings in, BOQ and a delivered date out
One drawing gets you a proper answer. Build-up, quantities, a delivered date, and an honest note on anything we think is the wrong approach.