For projects in Ireland
Cinema and multiplex soundproofing in Ireland
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes. Church buildings, parish halls and school halls carry speech and music in the same hard volume.
- Screen to screen
- Independent construction between auditoria, with services broken at the line.
- In room response
- Heavy absorption on side and rear walls so the mix is heard as intended.
- Plant and projection
- Equipment noise into the auditorium, treated at source.
- Quote
- From a plan and a section, within 48 hours
01 / The product
What this material is and where it earns its place in Ireland
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes.
Church buildings, parish halls and school halls carry speech and music in the same hard volume.
Work reaching us from Ireland is mostly apartment schemes, plant and industrial buildings, offices, schools, clinics, studios.
- New build means decisions are still open Isolation designed into the drawing costs a fraction of retrofitting it after handover. Send the sections early and we will mark where a build-up will disappoint.
- Apartment schemes at scale The same separating wall repeated across hundreds of units. A detail that is slightly wrong is wrong everywhere, so consistency matters more than the headline figure.
- Industrial and plant noise Process plant, generators and cooling equipment sit close to occupied space and close to neighbours. That is a mass and isolation job, not an absorption job.
- Screen to screen Independent construction between auditoria, with services broken at the line.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for cinema soundproofing are on the main product page. This page covers what that means for a project in Ireland.
02 / The build-up
What goes where, from the structure in
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Layer 1
Acoustic panels
The full absorber range rather than one product: plain PET felt, printed felt, grooved panels and fabric finishes, chosen by how the room is used and how it has to look. In Ireland, heat pumps and mechanical ventilation in newer stock, with outdoor units close to boundaries.
Mixed finish. Plain felt where it is out of eye line, printed or grooved where it is seen.
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Layer 2
Acoustic carpet and rugs
A tile carpet with a dense polyester face on a felt backing. In Ireland, church buildings, parish halls and school halls carry speech and music in the same hard volume.
Over a resilient underlay. Where impact noise to the floor below is the actual complaint, the underlay does that work, not the carpet.
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Layer 3
PET felt acoustic panels
A rigid non-woven panel pressed from 100% polyester fibre, a large part of it recycled. In Ireland, school buildings run hard floors and lay-in ceilings with long corridors, and sports halls are the worst rooms in the building.
Over a porous backing. Panel over mineral or PET backing where the room needs genuine low mid control.
Architects working in Ireland usually need the build-up before the product. We will draw the section and mark what does the work. See how we support architects.
03 / On the ground
What we see driving Ireland briefs
- New build means decisions are still open
Isolation designed into the drawing costs a fraction of retrofitting it after handover. Send the sections early and we will mark where a build-up will disappoint.
- Apartment schemes at scale
The same separating wall repeated across hundreds of units. A detail that is slightly wrong is wrong everywhere, so consistency matters more than the headline figure.
- Industrial and plant noise
Process plant, generators and cooling equipment sit close to occupied space and close to neighbours. That is a mass and isolation job, not an absorption job.
- Damp, mild climate
Our PET felt does not absorb moisture, shed fibre or feed mould, which matters on cold external walls and in sealed rooms.
- Assembly and performance rooms
Church buildings, parish halls and school halls carry speech and music in the same hard volume.
04 / Room by room
Room by room, on a typical Ireland job
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Screen to screen
Independent construction between auditoria, with services broken at the line. Isolation designed into the drawing costs a fraction of retrofitting it after handover. Send the sections early and we will mark where a build-up will disappoint.
- SoundBlanket mass loaded vinyl, 2100 kg per cubic metre
- Soundproofing materials, 1800 x 900 x 20 mm, 100 kg per cubic metre, NRC 0.85
- Acoustic panels, Cut pattern in PET felt, adds visual rhythm without changing the absorber
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In room response
Heavy absorption on side and rear walls so the mix is heard as intended. The same separating wall repeated across hundreds of units. A detail that is slightly wrong is wrong everywhere, so consistency matters more than the headline figure.
- SoundBlanket mass loaded vinyl, STC 30, 5.25 kg per sq m
- Soundproofing materials, Mass, then decoupling, then cavity absorption, then sealing
- Acoustic panels, ASTM C423
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Plant and projection
Equipment noise into the auditorium, treated at source. Process plant, generators and cooling equipment sit close to occupied space and close to neighbours. That is a mass and isolation job, not an absorption job.
- SoundBlanket mass loaded vinyl, STC 34, 8.4 kg per sq m
- Soundproofing materials, ASTM E90 for the barrier, ASTM C423 for the absorber
- Acoustic panels, 9 to 24 mm, 1220 x 2440 mm standard, up to 2440 x 4270 mm, 1200 to 3600 GSM
If the visual is fixed and the room still has to perform, that is a solvable problem and a conversation worth having early. See how we work with interior designers.
04 / Climate
What the Ireland climate rules in and rules out
Ireland is cool and damp, with long heating seasons and cold external walls, and that narrows the material list before acoustics is discussed.
Cold wall build-ups and long heating seasons mean interstitial condensation is a real risk behind any lining. PET felt is unaffected by damp air and will not feed mould where a fabric-faced mineral product would.
The failure we design against here is condensation behind linings in older, poorly insulated stock.
Where a consultant is already engaged on a Ireland project, we supply to their specification and send the test reports rather than describing them. More on working with acoustic consultants.
06 / Worth knowing
What we watch go wrong on jobs like this
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A shared service void running across the wall line
Square metre for square metre the ceiling is the cheapest result in the room. Skipping it and buying wall panels instead is the most common way to overspend.
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Treating the auditorium to fix bleed from the next screen
Small on the drawing, expensive on site, and almost always found after handover.
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Doors and lobbies specified late and undersized
A 6 mm undercut under a door leaves a hole the size of a brick. The wall around it is then decorative.
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Treating it as a generic Ireland job
Isolation designed into the drawing costs a fraction of retrofitting it after handover. Send the sections early and we will mark where a build-up will disappoint.
05 / Logistics
Getting it to Ireland, with real dates
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | Dublin or Cork, then road to site |
| Dispatch | 4 to 7 working days |
| Freight | Sea via Dublin or Cork |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
Sea freight into Dublin or Cork, then road to site. Air freight for samples and urgent quantities.
Questions from Ireland projects
What makes cinema and multiplex soundproofing different in Ireland?
Church buildings, parish halls and school halls carry speech and music in the same hard volume. Isolation designed into the drawing costs a fraction of retrofitting it after handover. Send the sections early and we will mark where a build-up will disappoint.
Where should the budget go first on a Ireland project?
Screen to screen. Independent construction between auditoria, with services broken at the line. In room response. Heavy absorption on side and rear walls so the mix is heard as intended.
Do you have an office or installation team in Ireland?
No. We manufacture in India and supply into Ireland. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Ireland site?
ships from: Palwal, Haryana, India, arrives at: Dublin or Cork, then road to site, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
What goes wrong most often on this kind of project?
A shared service void running across the wall line. Treating the auditorium to fix bleed from the next screen.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Drawings in, BOQ and a delivered date out
A plan and a section is enough. We will come back with a build-up, a BOQ and a delivered date, and we will say so if what you are asking for will not work.