For projects in Abu Dhabi
Cinema and multiplex soundproofing in Abu Dhabi
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes. Hotel ballrooms, mosques and conference centres are tall hard volumes where a long tail defeats the speech system before anyone hears a word.
- Screen to screen
- Independent construction between auditoria, with services broken at the line.
- In room response
- Heavy absorption on side and rear walls so the mix is heard as intended.
- Plant and projection
- Equipment noise into the auditorium, treated at source.
- Quote
- From a plan and a section, within 48 hours
01 / Start here
What you are buying, and what it fixes in Abu Dhabi
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes.
Hotel ballrooms, mosques and conference centres are tall hard volumes where a long tail defeats the speech system before anyone hears a word.
Work reaching us from Abu Dhabi is mostly hotels, cultural and institutional buildings, villas, offices, clinics, schools, studios.
- Short sea leg from India Western Indian ports to the UAE is a short run. That is the practical reason a factory in India can hold an Abu Dhabi programme date, and it is why we quote sea rather than air for most orders.
- Concrete and glass, sealed all year Blockwork and full glazing with the building closed up against the heat gives a hard, live interior and a lot of mechanical noise with nowhere to go.
- Submittals and samples Most work here goes through a consultant. Send us the specification and we will tell you where our material sits against it and where it does not, in writing.
- Screen to screen Independent construction between auditoria, with services broken at the line.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for cinema soundproofing are on the main product page. This page covers what that means for a project in Abu Dhabi.
02 / The build-up
The build-up, layer by layer
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Layer 1
Soundproofing materials
The blocking side of the range taken together: mass loaded vinyl, resilient layers, cavity absorption and the build-ups they belong in. In Abu Dhabi, district cooling and large AHU plant run continuously. Duct attenuation, plant room lining and riser treatment do the work.
Floating floor. Resilient layer and deck, to break impact energy before it reaches the structure.
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Layer 2
Acoustic panels
The full absorber range rather than one product: plain PET felt, printed felt, grooved panels and fabric finishes, chosen by how the room is used and how it has to look. In Abu Dhabi, hotel ballrooms, mosques and conference centres are tall hard volumes where a long tail defeats the speech system before anyone hears a word.
Ceiling first. In most rooms the ceiling is the largest untreated surface and the cheapest square metre of result.
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Layer 3
PET felt acoustic panels
A rigid non-woven panel pressed from 100% polyester fibre, a large part of it recycled. In Abu Dhabi, international school campuses are new, highly glazed and built to a tight programme. Sports halls, atria and lecture spaces are the rooms that need treating.
Over a porous backing. Panel over mineral or PET backing where the room needs genuine low mid control.
Architects working in Abu Dhabi usually need the build-up before the product. We will draw the section and mark what does the work. See how we support architects.
03 / On the ground
What we see driving Abu Dhabi briefs
- Short sea leg from India
Western Indian ports to the UAE is a short run. That is the practical reason a factory in India can hold an Abu Dhabi programme date, and it is why we quote sea rather than air for most orders.
- Concrete and glass, sealed all year
Blockwork and full glazing with the building closed up against the heat gives a hard, live interior and a lot of mechanical noise with nowhere to go.
- Submittals and samples
Most work here goes through a consultant. Send us the specification and we will tell you where our material sits against it and where it does not, in writing.
- MEP noise is the quiet problem
Heavy cooling loads mean large plant close to occupied space. Ducts, risers and plant rooms cause more complaints than anything in the room itself.
- Assembly and performance rooms
Hotel ballrooms, mosques and conference centres are tall hard volumes where a long tail defeats the speech system before anyone hears a word.
04 / Room by room
Room by room, on a typical Abu Dhabi job
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Screen to screen
Independent construction between auditoria, with services broken at the line. Western Indian ports to the UAE is a short run. That is the practical reason a factory in India can hold an Abu Dhabi programme date, and it is why we quote sea rather than air for most orders.
- Soundproofing materials, 2100 kg per cubic metre. 2.5 mm STC 30 at 5.25 kg per sq m, 4 mm STC 34 at 8.4, 6 mm at 12.6
- Acoustic panels, 1800 x 900 mm, image printed into the felt rather than onto a facing
- PET felt acoustic panels, 4 to 24 mm
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In room response
Heavy absorption on side and rear walls so the mix is heard as intended. Blockwork and full glazing with the building closed up against the heat gives a hard, live interior and a lot of mechanical noise with nowhere to go.
- Soundproofing materials, 1800 x 900 x 20 mm, 100 kg per cubic metre, NRC 0.85
- Acoustic panels, Cut pattern in PET felt, adds visual rhythm without changing the absorber
- PET felt acoustic panels, 1220 x 2440 mm standard, 4 x 8 ft
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Plant and projection
Equipment noise into the auditorium, treated at source. Most work here goes through a consultant. Send us the specification and we will tell you where our material sits against it and where it does not, in writing.
- Soundproofing materials, Mass, then decoupling, then cavity absorption, then sealing
- Acoustic panels, ASTM C423
- PET felt acoustic panels, 2440 x 4270 mm, 2.44 x 4.27 m, 8 x 14 ft
If the visual is fixed and the room still has to perform, that is a solvable problem and a conversation worth having early. See how we work with interior designers.
04 / Climate
What the Abu Dhabi climate rules in and rules out
Abu Dhabi is hot and dry for most of the year, with dust and high daytime surface temperatures, and that narrows the material list before acoustics is discussed.
Dust is the enemy of open-cell products. PET felt does not shed, does not hold dust in the way fabric-wrapped glass wool does, and wipes down. Timber needs a stable indoor RH or it moves.
The failure we design against here is dust ingress and thermal movement in long runs.
On a Abu Dhabi job with a consultant involved, our part is material that matches the submitted data. See working with acoustic consultants.
06 / Before you buy
What we watch go wrong on jobs like this
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A shared service void running across the wall line
The ceiling is almost always the largest untreated surface, so leaving it out means paying for panels that cannot reach the target.
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Treating the auditorium to fix bleed from the next screen
This is the one that comes back as a second fit-out rather than a snag.
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Doors and lobbies specified late and undersized
A 6 mm undercut under a door leaves a hole the size of a brick. The wall around it is then decorative.
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Treating it as a generic Abu Dhabi job
Western Indian ports to the UAE is a short run. That is the practical reason a factory in India can hold an Abu Dhabi programme date, and it is why we quote sea rather than air for most orders.
05 / Supply
How material reaches a Abu Dhabi site
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | Khalifa Port or Jebel Ali, then road to site |
| Dispatch | 4 to 7 working days |
| Freight | Sea via Khalifa Port |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order.
Sea freight into Khalifa Port or Jebel Ali, then road to site. The short transit means sea works for most programmes. Air freight for samples and urgent quantities.
Questions from Abu Dhabi projects
What makes cinema and multiplex soundproofing different in Abu Dhabi?
Hotel ballrooms, mosques and conference centres are tall hard volumes where a long tail defeats the speech system before anyone hears a word. Western Indian ports to the UAE is a short run. That is the practical reason a factory in India can hold an Abu Dhabi programme date, and it is why we quote sea rather than air for most orders.
Where should the budget go first on a Abu Dhabi project?
Screen to screen. Independent construction between auditoria, with services broken at the line. In room response. Heavy absorption on side and rear walls so the mix is heard as intended.
Do you have an office or installation team in Abu Dhabi?
No. We manufacture in India and supply into Abu Dhabi. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Abu Dhabi site?
ships from: Palwal, Haryana, India, arrives at: Khalifa Port or Jebel Ali, then road to site, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order.
What goes wrong most often on this kind of project?
A shared service void running across the wall line. Treating the auditorium to fix bleed from the next screen.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Tell us the room, we will tell you the build-up
One drawing gets you a proper answer. Build-up, quantities, a delivered date, and an honest note on anything we think is the wrong approach.