For projects in Portugal
Cinema and multiplex soundproofing in Portugal
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes. Church buildings, civic auditoria and function rooms are stone volumes with very long decay.
- Screen to screen
- Independent construction between auditoria, with services broken at the line.
- In room response
- Heavy absorption on side and rear walls so the mix is heard as intended.
- Plant and projection
- Equipment noise into the auditorium, treated at source.
- Quote
- From a plan and a section, within 48 hours
01 / The product
What this material is and where it earns its place in Portugal
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes.
Church buildings, civic auditoria and function rooms are stone volumes with very long decay.
Work reaching us from Portugal is mostly hotel and apartment conversions, restaurants, offices, clinics, schools, studios.
- Conversion, not construction The structure is staying. Whatever we propose has to work inside the depth and the finishes that are already there, which rules out most thick framed systems.
- Timber floors in old buildings Footfall passes straight down through the joists. A resilient layer under the new finish does more than anything applied to the ceiling below.
- Atlantic damp Our PET felt does not absorb moisture, shed fibre or feed mould, which matters on cold external walls in a mild wet climate where mineral products sag.
- Screen to screen Independent construction between auditoria, with services broken at the line.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for cinema soundproofing are on the main product page. This page covers what that means for a project in Portugal.
02 / The build-up
What goes where, from the structure in
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Layer 1
Soundproofing materials
The blocking side of the range taken together: mass loaded vinyl, resilient layers, cavity absorption and the build-ups they belong in. In Portugal, split units with condensers in courtyards and light wells, plus seasonal heating in cold damp winters.
Resilient bar. Where a full independent leaf will not fit. Effective, and very easy to short circuit with one wrong screw.
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Layer 2
Acoustic panels
The full absorber range rather than one product: plain PET felt, printed felt, grooved panels and fabric finishes, chosen by how the room is used and how it has to look. In Portugal, church buildings, civic auditoria and function rooms are stone volumes with very long decay.
Mixed finish. Plain felt where it is out of eye line, printed or grooved where it is seen.
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Layer 3
Acoustic carpet and rugs
A tile carpet with a dense polyester face on a felt backing. In Portugal, school buildings are hard surfaced with high ceilings, and canteens are the loudest rooms.
Zoned. Carpet in the circulation and meeting zones, hard floor elsewhere, so the treatment sits where the noise is made.
We would rather argue about the build-up at design stage than on site. See how we support architects.
03 / Local conditions
What we see driving Portugal briefs
- Conversion, not construction
The structure is staying. Whatever we propose has to work inside the depth and the finishes that are already there, which rules out most thick framed systems.
- Timber floors in old buildings
Footfall passes straight down through the joists. A resilient layer under the new finish does more than anything applied to the ceiling below.
- Atlantic damp
Our PET felt does not absorb moisture, shed fibre or feed mould, which matters on cold external walls in a mild wet climate where mineral products sag.
- Tourism programmes have fixed dates
Hotel openings do not move. We give honest dispatch and transit windows so the fit-out is not waiting on a container.
- Assembly and performance rooms
Church buildings, civic auditoria and function rooms are stone volumes with very long decay.
04 / Room by room
Room by room, on a typical Portugal job
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Screen to screen
Independent construction between auditoria, with services broken at the line. The structure is staying. Whatever we propose has to work inside the depth and the finishes that are already there, which rules out most thick framed systems.
- SoundBlanket mass loaded vinyl, 2100 kg per cubic metre
- Soundproofing materials, 1800 x 900 x 20 mm, 100 kg per cubic metre, NRC 0.85
- Acoustic carpet and rugs, High density polyester
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In room response
Heavy absorption on side and rear walls so the mix is heard as intended. Footfall passes straight down through the joists. A resilient layer under the new finish does more than anything applied to the ceiling below.
- SoundBlanket mass loaded vinyl, STC 30, 5.25 kg per sq m
- Soundproofing materials, Mass, then decoupling, then cavity absorption, then sealing
- Acoustic carpet and rugs, Felt
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Plant and projection
Equipment noise into the auditorium, treated at source. Our PET felt does not absorb moisture, shed fibre or feed mould, which matters on cold external walls in a mild wet climate where mineral products sag.
- SoundBlanket mass loaded vinyl, STC 34, 8.4 kg per sq m
- Soundproofing materials, ASTM E90 for the barrier, ASTM C423 for the absorber
- Acoustic carpet and rugs, 64 sq ft per pack
Designers get colour, pattern and CNC options with the absorption figure attached to each. See how we work with interior designers.
04 / Climate and durability
Durability in Portugal, before acoustics is discussed
Portugal is hot dry summers and mild wet winters, and that narrows the material list before acoustics is discussed.
The swing between a dry summer and a wet winter moves timber. PET felt is dimensionally stable across that swing; slat panels want a stable substrate and a ventilated fixing.
The failure we design against here is seasonal movement in timber and winter damp in unheated stock.
Consultants get the raw data, not a sales sheet. That is the whole of our side of the job, and it is set out under working with acoustic consultants.
06 / Straight talk
What we watch go wrong on jobs like this
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A shared service void running across the wall line
The ceiling is almost always the largest untreated surface, so leaving it out means paying for panels that cannot reach the target.
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Treating the auditorium to fix bleed from the next screen
This is the one that comes back as a second fit-out rather than a snag.
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Doors and lobbies specified late and undersized
Soundproofing fails at the gaps, not the materials. One unsealed service penetration can undo a correctly built wall.
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Treating it as a generic Portugal job
The structure is staying. Whatever we propose has to work inside the depth and the finishes that are already there, which rules out most thick framed systems.
05 / Route to site
Supply into Portugal, start to site
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | Sines, Lisbon or Leixões, then road to site |
| Dispatch | 4 to 7 working days |
| Freight | Sea via Sines or Lisbon |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
Sea freight into Sines, Lisbon or Leixões, then road to site. Air freight for samples and urgent quantities.
Questions from Portugal projects
What makes cinema and multiplex soundproofing different in Portugal?
Church buildings, civic auditoria and function rooms are stone volumes with very long decay. The structure is staying. Whatever we propose has to work inside the depth and the finishes that are already there, which rules out most thick framed systems.
Where should the budget go first on a Portugal project?
Screen to screen. Independent construction between auditoria, with services broken at the line. In room response. Heavy absorption on side and rear walls so the mix is heard as intended.
Do you have an office or installation team in Portugal?
No. We manufacture in India and supply into Portugal. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Portugal site?
ships from: Palwal, Haryana, India, arrives at: Sines, Lisbon or Leixões, then road to site, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
What goes wrong most often on this kind of project?
A shared service void running across the wall line. Treating the auditorium to fix bleed from the next screen.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Tell us the room, we will tell you the build-up
We quote from drawings, not from a square foot rate. Send a plan and the section through the critical wall or ceiling and you will get something you can actually build from.