For projects in Melbourne
Venue and restaurant acoustics in Melbourne
Two different jobs that get quoted as one: keeping bass inside the building for the neighbours, and making the room comfortable enough that guests can talk. Solving one does nothing for the other. School halls, community centres and church buildings carry assembly, performance and sport in one hard volume.
- Containment
- Low frequency through structure to flats above and beside. Mass, decoupling and a sealed envelope.
- Table level comfort
- Absorption at the ceiling so guests stop raising their voices at each other.
- Entrance and service
- Doors, lobbies and extract paths, which is where most of the leakage actually is.
- Quote
- From a plan and a section, within 48 hours
01 / The material
What you are buying, and what it fixes in Melbourne
Two different jobs that get quoted as one: keeping bass inside the building for the neighbours, and making the room comfortable enough that guests can talk. Solving one does nothing for the other.
School halls, community centres and church buildings carry assembly, performance and sport in one hard volume.
Work reaching us from Melbourne is mostly live music venues, Victorian terraces, apartments, offices, schools, studios, clinics.
- Venues that were there first Live rooms in old warehouses with new apartments built alongside. Containment of low frequency is what keeps them operating.
- Victorian terraces Single skin brick party walls and timber floors. Speech and footfall move between houses easily and mass is the only reliable answer.
- The port is in the city Direct sea into Melbourne keeps the road leg short, though the sea leg itself is long and we quote it fully.
- Containment Low frequency through structure to flats above and beside. Mass, decoupling and a sealed envelope.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for venue soundproofing are on the main product page. This page covers what that means for a project in Melbourne.
Nightclub and venue soundproofing SoundBlanket mass loaded vinyl
02 / The build-up
What goes where, from the structure in
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Layer 1
SoundBlanket mass loaded vinyl
A limp, high density sheet that adds mass to a partition, floor or duct without adding depth. In Melbourne, ducted systems and split units, with outdoor units close to boundaries where neighbour noise limits apply.
Duct and plant wrap. Membrane wrapped over the duct with a decoupling layer beneath, sealed at every lap.
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Layer 2
Soundproofing materials
The blocking side of the range taken together: mass loaded vinyl, resilient layers, cavity absorption and the build-ups they belong in. In Melbourne, school halls, community centres and church buildings carry assembly, performance and sport in one hard volume.
Floating floor. Resilient layer and deck, to break impact energy before it reaches the structure.
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Layer 3
Wooden slat acoustic panels
Timber slats on an acoustic backing. In Melbourne, school buildings run hard floors and high ceilings, and open plan learning areas make speech intelligibility the central problem rather than echo.
Slats on felt backing. The standard. Absorption comes from the backing behind the gaps, so the slat gap ratio is an acoustic decision, not only a visual one.
Architects working in Melbourne usually need the build-up before the product. We will draw the section and mark what does the work. See how we support architects.
03 / In this market
What decides the build-up in Melbourne
- Venues that were there first
Live rooms in old warehouses with new apartments built alongside. Containment of low frequency is what keeps them operating.
- Victorian terraces
Single skin brick party walls and timber floors. Speech and footfall move between houses easily and mass is the only reliable answer.
- The port is in the city
Direct sea into Melbourne keeps the road leg short, though the sea leg itself is long and we quote it fully.
- Variable climate, sealed rooms
Heating and cooling run hard across the year, so rooms stay closed and sound accumulates inside.
- Assembly and performance rooms
School halls, community centres and church buildings carry assembly, performance and sport in one hard volume.
04 / Room by room
What each space in a Melbourne project needs
-

Containment
Low frequency through structure to flats above and beside. Mass, decoupling and a sealed envelope. Live rooms in old warehouses with new apartments built alongside. Containment of low frequency is what keeps them operating.
- SoundBlanket mass loaded vinyl, 2100 kg per cubic metre
- Soundproofing materials, 1800 x 900 x 20 mm, 100 kg per cubic metre, NRC 0.85
- Acoustic panels, Cut pattern in PET felt, adds visual rhythm without changing the absorber
-

Table level comfort
Absorption at the ceiling so guests stop raising their voices at each other. Single skin brick party walls and timber floors. Speech and footfall move between houses easily and mass is the only reliable answer.
- SoundBlanket mass loaded vinyl, STC 30, 5.25 kg per sq m
- Soundproofing materials, Mass, then decoupling, then cavity absorption, then sealing
- Acoustic panels, ASTM C423
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Entrance and service
Doors, lobbies and extract paths, which is where most of the leakage actually is. Direct sea into Melbourne keeps the road leg short, though the sea leg itself is long and we quote it fully.
- SoundBlanket mass loaded vinyl, STC 34, 8.4 kg per sq m
- Soundproofing materials, ASTM E90 for the barrier, ASTM C423 for the absorber
- Acoustic panels, 9 to 24 mm, 1220 x 2440 mm standard, up to 2440 x 4270 mm, 1200 to 3600 GSM
Interior designers tend to arrive with the look already decided. We will tell you which finish gets there without losing the acoustics. See how we work with interior designers.
04 / Climate
What the Melbourne climate rules in and rules out
Melbourne is hot summers, mild winters and a distinct wet season, and that narrows the material list before acoustics is discussed.
PET felt handles the wet months without absorbing moisture or feeding mould. Timber and wood wool want a ventilated cavity and a stable indoor RH.
The failure we design against here is wet-season humidity behind linings.
If a consultant has set the target, we will quote against their figures rather than ours, and stay out of the scope they own. More on working with acoustic consultants.
06 / Read this first
Where this kind of project usually fails
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Panels on the wall as a neighbour noise solution
Small on the drawing, expensive on site, and almost always found after handover.
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A lobby with both doors able to open at once
A gap undoes the partition it sits in. Sealing is the cheapest line on the quote and the first one to get cut.
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Extract ducting that bypasses every wall you built
Enclose the machine, break the vibration path, then deal with what is left. Doing it in the other order costs more and achieves less.
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Treating it as a generic Melbourne job
Live rooms in old warehouses with new apartments built alongside. Containment of low frequency is what keeps them operating.
05 / Logistics
Getting it to Melbourne, with real dates
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | Port of Melbourne, then a short road run to site |
| Dispatch | 4 to 7 working days |
| Freight | Sea via Port of Melbourne |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. The sea leg from India is long, so plan the full door to door window into the programme. We give real dates, not optimistic ones.
Sea freight into the Port of Melbourne, then a short road run to site. Air freight for samples and urgent quantities.
Questions from Melbourne projects
What makes venue and restaurant acoustics different in Melbourne?
School halls, community centres and church buildings carry assembly, performance and sport in one hard volume. Live rooms in old warehouses with new apartments built alongside. Containment of low frequency is what keeps them operating.
Where should the budget go first on a Melbourne project?
Containment. Low frequency through structure to flats above and beside. Mass, decoupling and a sealed envelope. Table level comfort. Absorption at the ceiling so guests stop raising their voices at each other.
Do you have an office or installation team in Melbourne?
No. We manufacture in India and supply into Melbourne. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Melbourne site?
ships from: Palwal, Haryana, India, arrives at: Port of Melbourne, then a short road run to site, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. The sea leg from India is long, so plan the full door to door window into the programme. We give real dates, not optimistic ones.
What goes wrong most often on this kind of project?
Panels on the wall as a neighbour noise solution. A lobby with both doors able to open at once.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Send a plan and a section, get a real build-up
We quote from drawings, not from a square foot rate. Send a plan and the section through the critical wall or ceiling and you will get something you can actually build from.