For projects in Manesar
Cinema and multiplex soundproofing in Manesar
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes. Auditoriums, banquet halls and places of worship are large hard volumes in concrete and stone where speech falls apart long before anyone calls the room echoey.
- Screen to screen
- Independent construction between auditoria, with services broken at the line.
- In room response
- Heavy absorption on side and rear walls so the mix is heard as intended.
- Plant and projection
- Equipment noise into the auditorium, treated at source.
- Quote
- From a plan and a section, within 48 hours
01 / Start here
What this material is and where it earns its place in Manesar
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes.
Auditoriums, banquet halls and places of worship are large hard volumes in concrete and stone where speech falls apart long before anyone calls the room echoey.
Work reaching us from Manesar is mostly automotive and component plants, QC and test rooms, corporate offices, training rooms, canteens.
- Continuous machinery Presses, robots and conveyors run all shift. The fix is enclosure and barrier at the source, not absorption at the far wall.
- Test and measurement rooms NVH and QC rooms need a low background before any measurement means anything. That is isolation work with a written target.
- An hour from the plant Short road run, so samples arrive next day and full loads are cheap to move.
- Screen to screen Independent construction between auditoria, with services broken at the line.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for cinema soundproofing are on the main product page. This page covers what that means for a project in Manesar.
02 / The build-up
The stack, in the order it is installed
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Layer 1
SoundBlanket mass loaded vinyl
A limp, high density sheet that adds mass to a partition, floor or duct without adding depth. In Manesar, dense industrial belts mean compressors, presses, generator sets and blower plant sit close to offices and canteens.
Floor, floating. Membrane under a resilient layer and a floating deck, so impact energy is broken before it reaches the slab.
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Layer 2
Acoustic panels
The full absorber range rather than one product: plain PET felt, printed felt, grooved panels and fabric finishes, chosen by how the room is used and how it has to look. In Manesar, auditoriums, banquet halls and places of worship are large hard volumes in concrete and stone where speech falls apart long before anyone calls the room echoey.
Wall array. Panels placed at first reflection points rather than spread evenly. Fewer panels, better result.
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Layer 3
Acoustic carpet and rugs
A tile carpet with a dense polyester face on a felt backing. In Manesar, classrooms are concrete and tile with bare walls and high ceilings, and class sizes push levels up. Corridors act as reverberation chambers that feed every room off them.
Loose lay on tackifier. Tiles lifted individually for access under a raised floor, which is why tile beats broadloom in an office.
If you are specifying for a Manesar project, we can give you a section, a BOQ and the honest limits of each layer. See how we support architects.
03 / Local conditions
What decides the build-up in Manesar
- Continuous machinery
Presses, robots and conveyors run all shift. The fix is enclosure and barrier at the source, not absorption at the far wall.
- Test and measurement rooms
NVH and QC rooms need a low background before any measurement means anything. That is isolation work with a written target.
- An hour from the plant
Short road run, so samples arrive next day and full loads are cheap to move.
- Training and briefing rooms
Rooms where instructions have to be understood over plant noise need intelligibility, not just less echo.
- Assembly and performance rooms
Auditoriums, banquet halls and places of worship are large hard volumes in concrete and stone where speech falls apart long before anyone calls the room echoey.
04 / Room by room
Space by space, for Manesar briefs
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Screen to screen
Independent construction between auditoria, with services broken at the line. Presses, robots and conveyors run all shift. The fix is enclosure and barrier at the source, not absorption at the far wall.
- SoundBlanket mass loaded vinyl, 2100 kg per cubic metre
- Acoustic panels, 1800 x 900 mm, image printed into the felt rather than onto a facing
- PET felt acoustic panels, 4 to 24 mm
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In room response
Heavy absorption on side and rear walls so the mix is heard as intended. NVH and QC rooms need a low background before any measurement means anything. That is isolation work with a written target.
- SoundBlanket mass loaded vinyl, STC 30, 5.25 kg per sq m
- Acoustic panels, Cut pattern in PET felt, adds visual rhythm without changing the absorber
- PET felt acoustic panels, 1220 x 2440 mm standard, 4 x 8 ft
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Plant and projection
Equipment noise into the auditorium, treated at source. Short road run, so samples arrive next day and full loads are cheap to move.
- SoundBlanket mass loaded vinyl, STC 34, 8.4 kg per sq m
- Acoustic panels, ASTM C423
- PET felt acoustic panels, 2440 x 4270 mm, 2.44 x 4.27 m, 8 x 14 ft
Interior designers tend to arrive with the look already decided. We will tell you which finish gets there without losing the acoustics. See how we work with interior designers.
04 / Climate
The Manesar climate decides the material list
Manesar is hot summers, mild winters and a distinct wet season, and that narrows the material list before acoustics is discussed.
PET felt handles the wet months without absorbing moisture or feeding mould. Timber and wood wool want a ventilated cavity and a stable indoor RH.
The failure we design against here is wet-season humidity behind linings.
Consultants get the raw data, not a sales sheet. That is the whole of our side of the job, and it is set out under working with acoustic consultants.
06 / Before you buy
Six mistakes that turn into a second fit-out
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A shared service void running across the wall line
Square metre for square metre the ceiling is the cheapest result in the room. Skipping it and buying wall panels instead is the most common way to overspend.
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Treating the auditorium to fix bleed from the next screen
Small on the drawing, expensive on site, and almost always found after handover.
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Doors and lobbies specified late and undersized
A gap undoes the partition it sits in. Sealing is the cheapest line on the quote and the first one to get cut.
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Treating it as a generic Manesar job
Presses, robots and conveyors run all shift. The fix is enclosure and barrier at the source, not absorption at the far wall.
05 / Getting it there
Supply into Manesar, start to site
| Made at | Our own plant, Palwal, Haryana |
|---|---|
| Reaches site in | a day |
| Dispatch | 2 to 4 working days |
| To site | a day |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 2 to 4 working days from our plant at Palwal. Grooved panels and custom colours take longer, and we say so before you order, not after.
Same day or next day by road from Palwal. Small consignments go on a shared vehicle, full loads on a dedicated truck.
Questions from Manesar projects
What makes cinema and multiplex soundproofing different in Manesar?
Auditoriums, banquet halls and places of worship are large hard volumes in concrete and stone where speech falls apart long before anyone calls the room echoey. Presses, robots and conveyors run all shift. The fix is enclosure and barrier at the source, not absorption at the far wall.
Where should the budget go first on a Manesar project?
Screen to screen. Independent construction between auditoria, with services broken at the line. In room response. Heavy absorption on side and rear walls so the mix is heard as intended.
Do you have an office or installation team in Manesar?
No. We manufacture in India and supply into Manesar. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Manesar site?
made at: Our own plant, Palwal, Haryana, reaches site in: a day, dispatch: 2 to 4 working days. Standard items dispatch in 2 to 4 working days from our plant at Palwal. Grooved panels and custom colours take longer, and we say so before you order, not after.
What goes wrong most often on this kind of project?
A shared service void running across the wall line. Treating the auditorium to fix bleed from the next screen.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Send a plan and a section, get a real build-up
We quote from drawings, not from a square foot rate. Send a plan and the section through the critical wall or ceiling and you will get something you can actually build from.