For projects in Bali
Cinema and multiplex soundproofing in Bali
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes. Places of worship, function halls and community buildings are large hard rooms carrying amplified speech and music.
- Screen to screen
- Independent construction between auditoria, with services broken at the line.
- In room response
- Heavy absorption on side and rear walls so the mix is heard as intended.
- Plant and projection
- Equipment noise into the auditorium, treated at source.
- Quote
- From a plan and a section, within 48 hours
01 / The material
What this is, and what it changes in a Bali room
Screens stacked beside and above each other, each running full range at high level. Bleed between auditoria is the failure everyone hears, and it is decided by the shell, not the finishes.
Places of worship, function halls and community buildings are large hard rooms carrying amplified speech and music.
Work reaching us from Bali is mostly resorts and villas, beach clubs and restaurants, spas, offices, guest rooms.
- Buildings that are only partly enclosed Open pavilions and sliding walls mean there is often no envelope to isolate. The honest answer is treating what is there and telling you what cannot be fixed.
- Beach clubs and neighbours Late trading venues beside villas and other resorts, where containment of low frequency is what keeps the operation on good terms.
- Humidity and salt destroy the wrong material PET felt does not absorb moisture, rot or feed mould. Mineral products sag here within a single season.
- Screen to screen Independent construction between auditoria, with services broken at the line.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for cinema soundproofing are on the main product page. This page covers what that means for a project in Bali.
02 / The build-up
The build-up, layer by layer
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Layer 1
Soundproofing materials
The blocking side of the range taken together: mass loaded vinyl, resilient layers, cavity absorption and the build-ups they belong in. In Bali, split units everywhere, with condensers on balconies and light wells that channel noise straight back into bedrooms.
Floating floor. Resilient layer and deck, to break impact energy before it reaches the structure.
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Layer 2
Acoustic panels
The full absorber range rather than one product: plain PET felt, printed felt, grooved panels and fabric finishes, chosen by how the room is used and how it has to look. In Bali, places of worship, function halls and community buildings are large hard rooms carrying amplified speech and music.
Wall array. Panels placed at first reflection points rather than spread evenly. Fewer panels, better result.
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Layer 3
Acoustic carpet and rugs
A tile carpet with a dense polyester face on a felt backing. In Bali, classrooms are hard, naturally ventilated and open to corridor and street noise, so absorption alone will not fix intelligibility.
Loose lay on tackifier. Tiles lifted individually for access under a raised floor, which is why tile beats broadloom in an office.
For a Bali practice, the useful thing is a detail you can put in a drawing set, not a brochure. See how we support architects.
03 / In this market
What decides the build-up in Bali
- Buildings that are only partly enclosed
Open pavilions and sliding walls mean there is often no envelope to isolate. The honest answer is treating what is there and telling you what cannot be fixed.
- Beach clubs and neighbours
Late trading venues beside villas and other resorts, where containment of low frequency is what keeps the operation on good terms.
- Humidity and salt destroy the wrong material
PET felt does not absorb moisture, rot or feed mould. Mineral products sag here within a single season.
- An onward leg to the island
Material arrives and then continues by road or ferry. Tell us and we pack for the second journey.
- Assembly and performance rooms
Places of worship, function halls and community buildings are large hard rooms carrying amplified speech and music.
04 / Room by room
What each space in a Bali project needs
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Screen to screen
Independent construction between auditoria, with services broken at the line. Open pavilions and sliding walls mean there is often no envelope to isolate. The honest answer is treating what is there and telling you what cannot be fixed.
- Acoustic panels, 9 to 24 mm, 1220 x 2440 mm standard, up to 2440 x 4270 mm, 1200 to 3600 GSM
- Acoustic carpet and rugs, 4 mm
- PET felt acoustic panels, 4 to 24 mm
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In room response
Heavy absorption on side and rear walls so the mix is heard as intended. Late trading venues beside villas and other resorts, where containment of low frequency is what keeps the operation on good terms.
- Acoustic panels, 1800 x 900 mm, image printed into the felt rather than onto a facing
- Acoustic carpet and rugs, High density polyester
- PET felt acoustic panels, 1220 x 2440 mm standard, 4 x 8 ft
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Plant and projection
Equipment noise into the auditorium, treated at source. PET felt does not absorb moisture, rot or feed mould. Mineral products sag here within a single season.
- Acoustic panels, Cut pattern in PET felt, adds visual rhythm without changing the absorber
- Acoustic carpet and rugs, Felt
- PET felt acoustic panels, 2440 x 4270 mm, 2.44 x 4.27 m, 8 x 14 ft
Interior designers tend to arrive with the look already decided. We will tell you which finish gets there without losing the acoustics. See how we work with interior designers.
04 / Climate and durability
The Bali climate decides the material list
Bali is warm and humid through most of the year, with a long wet season, and that narrows the material list before acoustics is discussed.
Humidity is the deciding factor. PET felt does not absorb moisture, shed fibre or feed mould, which is why it outlasts fabric-wrapped mineral wool in this climate. Wood wool and timber need a ventilated cavity behind them.
The failure we design against here is mould, sagging fabric finishes and swelling in timber.
Consultants get the raw data, not a sales sheet. That is the whole of our side of the job, and it is set out under working with acoustic consultants.
06 / Read this first
Six mistakes that turn into a second fit-out
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A shared service void running across the wall line
A treated wall under a bare hard ceiling gives you a fraction of the reduction you paid for, and the room still sounds wrong.
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Treating the auditorium to fix bleed from the next screen
This is the one that comes back as a second fit-out rather than a snag.
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Doors and lobbies specified late and undersized
Soundproofing fails at the gaps, not the materials. One unsealed service penetration can undo a correctly built wall.
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Treating it as a generic Bali job
Open pavilions and sliding walls mean there is often no envelope to isolate. The honest answer is treating what is there and telling you what cannot be fixed.
05 / Route to site
What the route into Bali actually looks like
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | Surabaya or Benoa, then road to site |
| Dispatch | 4 to 7 working days |
| Freight | Sea via Surabaya or Benoa |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
Sea freight into Surabaya or Benoa, then road or ferry onward to site. Air freight for samples.
Questions from Bali projects
What makes cinema and multiplex soundproofing different in Bali?
Places of worship, function halls and community buildings are large hard rooms carrying amplified speech and music. Open pavilions and sliding walls mean there is often no envelope to isolate. The honest answer is treating what is there and telling you what cannot be fixed.
Where should the budget go first on a Bali project?
Screen to screen. Independent construction between auditoria, with services broken at the line. In room response. Heavy absorption on side and rear walls so the mix is heard as intended.
Do you have an office or installation team in Bali?
No. We manufacture in India and supply into Bali. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Bali site?
ships from: Palwal, Haryana, India, arrives at: Surabaya or Benoa, then road to site, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
What goes wrong most often on this kind of project?
A shared service void running across the wall line. Treating the auditorium to fix bleed from the next screen.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Send the drawings, get a straight answer
We quote from drawings, not from a square foot rate. Send a plan and the section through the critical wall or ceiling and you will get something you can actually build from.