For projects in Jakarta
Recording studio acoustics and soundproofing in Jakarta
Two jobs that must not be confused: keeping the building out, and making the room honest inside. The first is mass and decoupling and has to be built first. The second is absorption and diffusion and can be tuned later. A large content and music scene works out of rooms in commercial buildings with thin partitions and constant neighbouring activity.
- Isolation
- A measured background level, agreed before anything is bought.
- Low frequency
- Corner and boundary absorption with real depth, not surface foam.
- Early reflections
- Controlled at the mix position, and only there.
- Quote
- From a plan and a section, within 48 hours
01 / What it is
The product, described honestly, for a Jakarta brief
Two jobs that must not be confused: keeping the building out, and making the room honest inside. The first is mass and decoupling and has to be built first. The second is absorption and diffusion and can be tuned later.
A large content and music scene works out of rooms in commercial buildings with thin partitions and constant neighbouring activity.
Work reaching us from Jakarta is mostly towers and offices, apartments, hotels, hospitals, schools, studios.
- Noise arrives from outside Traffic and construction reach rooms through glazing and openings long before they come through a wall. Fix the weakest path first.
- Concrete towers, live interiors The structure blocks well. The problem is tile, glass and stone inside making the room ring.
- Standby generation Power backup sits close to occupied space in most commercial buildings and runs often enough to matter.
- Isolation A measured background level, agreed before anything is bought.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for studio soundproofing are on the main product page. This page covers what that means for a project in Jakarta.
02 / The build-up
The build-up, layer by layer
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Layer 1
Acoustic foam and BassBloc
Open cell foam shapes for high frequency control, and BassBloc, a high density absorber built for the low mid range where ordinary foam does nothing. In Jakarta, split units everywhere, with condensers on balconies and light wells that channel noise straight back into bedrooms.
Behind a fabric frame. Where the room has to look finished, absorber inside a frame rather than foam on show.
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Layer 2
Soundproofing materials
The blocking side of the range taken together: mass loaded vinyl, resilient layers, cavity absorption and the build-ups they belong in. In Jakarta, places of worship, function halls and community buildings are large hard rooms carrying amplified speech and music.
Floating floor. Resilient layer and deck, to break impact energy before it reaches the structure.
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Layer 3
Acoustic panels
The full absorber range rather than one product: plain PET felt, printed felt, grooved panels and fabric finishes, chosen by how the room is used and how it has to look. In Jakarta, classrooms are hard, naturally ventilated and open to corridor and street noise, so absorption alone will not fix intelligibility.
Ceiling first. In most rooms the ceiling is the largest untreated surface and the cheapest square metre of result.
For a Jakarta practice, the useful thing is a detail you can put in a drawing set, not a brochure. See how we support architects.
03 / In this market
What we see driving Jakarta briefs
- Noise arrives from outside
Traffic and construction reach rooms through glazing and openings long before they come through a wall. Fix the weakest path first.
- Concrete towers, live interiors
The structure blocks well. The problem is tile, glass and stone inside making the room ring.
- Standby generation
Power backup sits close to occupied space in most commercial buildings and runs often enough to matter.
- The port is in the city
Tanjung Priok is close, which keeps the road leg short and the landed cost predictable.
- The housing stock
Concrete frame with block infill in cities, timber and light construction outside them. Apartment stock shares walls and slabs that were never detailed for two households.
- The studio and content scene
A large content and music scene works out of rooms in commercial buildings with thin partitions and constant neighbouring activity.
04 / Room by room
Room by room, on a typical Jakarta job
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Isolation
A measured background level, agreed before anything is bought. Traffic and construction reach rooms through glazing and openings long before they come through a wall. Fix the weakest path first.
- Acoustic foam and BassBloc, 1800 x 900 mm
- Acoustic panels, 1800 x 900 mm, image printed into the felt rather than onto a facing
- Soundproof curtains, 5.5 kg per sq m
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Low frequency
Corner and boundary absorption with real depth, not surface foam. The structure blocks well. The problem is tile, glass and stone inside making the room ring.
- Acoustic foam and BassBloc, 20 mm
- Acoustic panels, Cut pattern in PET felt, adds visual rhythm without changing the absorber
- Soundproof curtains, Up to 30 dB
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Early reflections
Controlled at the mix position, and only there. Power backup sits close to occupied space in most commercial buildings and runs often enough to matter.
- Acoustic foam and BassBloc, 100 kg per cubic metre
- Acoustic panels, ASTM C423
- Soundproof curtains, 30
Designers get colour, pattern and CNC options with the absorption figure attached to each. See how we work with interior designers.
04 / Climate
The Jakarta climate decides the material list
Jakarta is warm and humid through most of the year, with a long wet season, and that narrows the material list before acoustics is discussed.
Humidity is the deciding factor. PET felt does not absorb moisture, shed fibre or feed mould, which is why it outlasts fabric-wrapped mineral wool in this climate. Wood wool and timber need a ventilated cavity behind them.
The failure we design against here is mould, sagging fabric finishes and swelling in timber.
On a Jakarta job with a consultant involved, our part is material that matches the submitted data. See working with acoustic consultants.
06 / Read this first
Six mistakes that turn into a second fit-out
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Buying foam to solve an isolation problem
This is the one that comes back as a second fit-out rather than a snag.
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Treating the room before the shell is isolated
Small on the drawing, expensive on site, and almost always found after handover.
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Killing the room completely and calling it controlled
A room can be over-treated. Past the target it stops sounding controlled and starts sounding dead, and you paid for that.
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Treating it as a generic Jakarta job
Traffic and construction reach rooms through glazing and openings long before they come through a wall. Fix the weakest path first.
05 / Getting it there
How material reaches a Jakarta site
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | Tanjung Priok, then a short road run into the city |
| Dispatch | 4 to 7 working days |
| Freight | Sea via Tanjung Priok |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
Sea freight into Tanjung Priok, then a short road run into the city. Air freight for samples and urgent quantities.
Questions from Jakarta projects
What makes recording studio acoustics and soundproofing different in Jakarta?
A large content and music scene works out of rooms in commercial buildings with thin partitions and constant neighbouring activity. Traffic and construction reach rooms through glazing and openings long before they come through a wall. Fix the weakest path first.
Where should the budget go first on a Jakarta project?
Isolation. A measured background level, agreed before anything is bought. Low frequency. Corner and boundary absorption with real depth, not surface foam.
Do you have an office or installation team in Jakarta?
No. We manufacture in India and supply into Jakarta. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Jakarta site?
ships from: Palwal, Haryana, India, arrives at: Tanjung Priok, then a short road run into the city, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. Grooved panels and custom colours take longer, and we say so before you order, not after.
What goes wrong most often on this kind of project?
Buying foam to solve an isolation problem. Treating the room before the shell is isolated.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Tell us the room, we will tell you the build-up
A plan and a section is enough. We will come back with a build-up, a BOQ and a delivered date, and we will say so if what you are asking for will not work.