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India TV Studio – Noida

Case Study: India TV Studio – Noida

Comprehensive Acoustic Treatment with Wooden Panels, Bass Traps & Acoustic Foams by MMTPL

Project Overview

Client:

India TV Studio

Location:

Noida, India

Scope:

Full acoustic treatment for broadcast-quality sound control in studio spaces.

Total Area Covered:

1,800 m²

Objective:

Create professional-grade acoustics for clear voice recording, controlled reverberation, and visually premium interiors suitable for a television broadcast environment.

Acoustic Challenges

1

Large Studio Volume: High ceilings and wide spaces prone to excessive reverberation and flutter echoes.

2

Speech Clarity Requirement: Clear, intelligible voice recording critical for broadcast operations.

3

Visual Standards: Acoustic finishes had to meet aesthetic and functional requirements for on-camera visuals.

Solutions Implemented by MMTPL

1. Wooden Acoustic Panels

Application:

Installed across walls for balanced sound diffusion and mid-frequency absorption.

Performance:

NRC: 0.70 (with backing) for controlled reverberation.

Premium wood veneer finish matched studio interiors.

Function:

Delivered warm, natural sound ideal for voice-focused environments.

2. Wooden Bass Traps

Placement:

Installed in studio corners and low-frequency accumulation zones.

Performance:

Specialized low-frequency control (below 250 Hz) for bass-heavy resonance removal.

Function:

Flattened room response, crucial for accurate monitoring and live recording.

3. Acoustic Foam Panels

Designs Used:

Galaxy (concave-convex) and Pyramid foam panels for high-frequency absorption.

NRC:

0.90, eliminating flutter echoes and enhancing speech clarity.

Placement:

Reflection points on side walls and ceilings for precision absorption.

Execution

Wall Integration

Combination of wooden slats with concealed BassBloc® backing for superior sound control.

Corner Treatments

Bass traps installed strategically to balance low-frequency build-up.

Foam Positioning

Focused around microphones and recording zones to ensure broadcast-ready clarity.

Results

RT60 (Reverberation Time)

Reduced from ~2.2s to 0.4s, ideal for speech recording.

Speech Intelligibility

Significantly improved voice clarity for live news and panel discussions.

Visual Appeal

Warm wooden finishes enhanced on-camera aesthetics for TV broadcasts.

Composite Acoustic Performance

Achieved studio-grade NRC and controlled low-frequency response.

Materials Summary

Wooden Acoustic Panels

NRC 0.70 (with acoustic backing).

Wooden Bass Traps

Precision-engineered for low-frequency absorption.

Acoustic Foam Panels

NRC 0.90, Galaxy & Pyramid designs.

Coverage Area

1,800 m² total acoustic-treated studio space.

Significance of the Project

This project demonstrates MMTPL’s capability in delivering large-scale, broadcast-standard acoustic environments, combining sound science with high-end studio design for leading media networks

India TV Studio – Noida: Project at a Glance
ClientIndia TV Studio
LocationNoida, India
ScopeFull acoustic treatment for broadcast-quality sound control in studio spaces.
Total Area Covered1,800 m²
ObjectiveCreate professional-grade acoustics for clear voice recording, controlled reverberation, and visually premium interiors suitable for a television broadcast environment.
ApplicationInstalled across walls for balanced sound diffusion and mid-frequency absorption.
Coverage Area1,800 m² total acoustic-treated studio space.

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Frequently Asked Questions

What was the scope at India TV Studio, Noida?

1,800 m2 of full acoustic treatment for broadcast-quality sound control, addressing excessive reverberation and flutter echo from high ceilings and wide studio volumes while meeting on-camera visual standards.

What was installed?

Wooden acoustic panels across the walls for balanced diffusion and mid-frequency absorption, bass traps for low-frequency control, and acoustic foam at the critical reflection points.

Why do large studios suffer from flutter echo?

Because parallel hard surfaces let sound bounce repeatedly between them, producing a rapid repeating reflection that a microphone picks up as a metallic ring on speech. It is fixed by breaking the parallel relationship with absorption or diffusion, not by adding level.

Why are bass traps needed in a broadcast studio?

Because low-frequency energy builds up at room corners and boundaries, and wall panels do very little at those frequencies. A studio with only surface panels sounds controlled in the mid range and boomy underneath, which shows up on any recording.

Can a studio be over-treated?

Yes, and it is a real risk at this scale. Strip a studio of all reflection and voices lose natural support and presenters find the room uncomfortable to work in. The target is a controlled reverberation time for the format, not maximum absorption.

Who manufactured the acoustic system for this studio?

MMTPL (Mahabir Multi Tech Private Limited) manufactures the full range at its Palwal plant in Haryana, India, and supplies architects, consultants and turnkey contractors in India and 25+ export markets.