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HVAC duct and condenser noise control in Abu Dhabi

For projects in London

HVAC, plant and machine noise control in London

Noise with a source. Almost every honest fix is at the machine, the duct or the plant room, and almost nothing useful happens by lining the far wall of the occupied space. Older stock has radiators and open windows, newer stock has mechanical ventilation with heat recovery, so duct-borne noise is a newer problem than the buildings suggest.

At source
Enclosure, barrier or anti vibration mounts at the machine.
In the path
Duct lining, attenuators and lagging on the first run out of the plant.
At the receiver
Only after the first two, and only for what is left.
Quote
From a plan and a section, within 48 hours

01 / What it is

The material, and what it actually does on a London job

Noise with a source. Almost every honest fix is at the machine, the duct or the plant room, and almost nothing useful happens by lining the far wall of the occupied space.

Older stock has radiators and open windows, newer stock has mechanical ventilation with heat recovery, so duct-borne noise is a newer problem than the buildings suggest.

Work reaching us from London is mostly flat conversions, offices, studios, bars and restaurants, schools, clinics.

  • Rail and Underground rumble Structure borne, so surface panels do nothing. It needs mass and decoupling in the floor, wall or ceiling first.
  • Single brick party walls A joist floor between two flats was never built for two households. Membrane plus an independent lining, then absorption.
  • Night economy neighbours Soho, Shoreditch, Camden and Clapham venues sit under flats. Bass containment and table-level comfort are two different jobs.
  • At source Enclosure, barrier or anti vibration mounts at the machine.

Full specification

Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for HVAC and plant noise control are on the main product page. This page covers what that means for a project in London.

HVAC duct soundproofing Machine noise control

02 / The build-up

The build-up, layer by layer

  1. SoundBlanket mass loaded vinyl soundproofing membrane used in projects in Abu Dhabi

    Layer 1

    SoundBlanket mass loaded vinyl

    A limp, high density sheet that adds mass to a partition, floor or duct without adding depth. In London, older stock has radiators and open windows, newer stock has mechanical ventilation with heat recovery, so duct-borne noise is a newer problem than the buildings suggest.

    Floor, floating. Membrane under a resilient layer and a floating deck, so impact energy is broken before it reaches the slab.

  2. Wood wool acoustic panels for walls and ceilings in Abu Dhabi

    Layer 2

    Wood wool acoustic panels

    Wood fibre bound into a rigid board with an open texture. In London, church buildings, village and parish halls, and school halls carry speech, music and sport in one long-decay volume.

    With a porous backing. Board over mineral backing where the room needs more than the board alone gives.

  3. Acoustic Foam Panels & Echo Control in Abu Dhabi

    Layer 3

    Acoustic foam and BassBloc

    Open cell foam shapes for high frequency control, and BassBloc, a high density absorber built for the low mid range where ordinary foam does nothing. In London, school buildings mix Victorian halls with post war system build and new academies, so hard floors, high ceilings and long corridors are the constant.

    Behind a fabric frame. Where the room has to look finished, absorber inside a frame rather than foam on show.

We would rather argue about the build-up at design stage than on site. See how we support architects.

03 / What drives the brief

The London conditions that change the answer

  • Rail and Underground rumble

    Structure borne, so surface panels do nothing. It needs mass and decoupling in the floor, wall or ceiling first.

  • Single brick party walls

    A joist floor between two flats was never built for two households. Membrane plus an independent lining, then absorption.

  • Night economy neighbours

    Soho, Shoreditch, Camden and Clapham venues sit under flats. Bass containment and table-level comfort are two different jobs.

  • Damp winters

    PET felt does not absorb moisture, shed fibre or feed mould, which matters in older stock with cold wall build-ups.

  • Plant and HVAC

    Older stock has radiators and open windows, newer stock has mechanical ventilation with heat recovery, so duct-borne noise is a newer problem than the buildings suggest.

04 / Room by room

Room by room, on a typical London job

Interior designers tend to arrive with the look already decided. We will tell you which finish gets there without losing the acoustics. See how we work with interior designers.

04 / Climate and durability

Durability in London, before acoustics is discussed

London is cool and damp, with long heating seasons and cold external walls, and that narrows the material list before acoustics is discussed.

Cold wall build-ups and long heating seasons mean interstitial condensation is a real risk behind any lining. PET felt is unaffected by damp air and will not feed mould where a fabric-faced mineral product would.

The failure we design against here is condensation behind linings in older, poorly insulated stock.

Where a consultant is already engaged on a London project, we supply to their specification and send the test reports rather than describing them. More on working with acoustic consultants.

06 / Worth knowing

The six errors that cost the most

  • Absorption on the office wall for a plant room problem

    Enclose the machine, break the vibration path, then deal with what is left. Doing it in the other order costs more and achieves less.

  • Lagging a duct that is carrying the noise as breakout from the fan

    Plant noise treated as a room problem is the most reliable way to spend a budget and change nothing anyone can hear.

  • Ignoring structure borne vibration through the mounts

    Small on the drawing, expensive on site, and almost always found after handover.

  • Treating it as a generic London job

    Structure borne, so surface panels do nothing. It needs mass and decoupling in the floor, wall or ceiling first.

05 / Supply

What the route into London actually looks like

Supply into London
Ships fromPalwal, Haryana, India
Arrives atFelixstowe, London Gateway or Southampton
Dispatch4 to 7 working days
FreightSea and air
SupportDrawings, build-ups, BOQ and material that arrives complete

Standard items dispatch in 4 to 7 working days. Grooved and custom colours take longer, and we say so before you order, not after.

Sea freight to Felixstowe, London Gateway or Southampton. Air freight for samples and urgent quantities. Clearance through your agent or ours.

FAQ

Questions from London projects

What makes HVAC, plant and machine noise control different in London?

Older stock has radiators and open windows, newer stock has mechanical ventilation with heat recovery, so duct-borne noise is a newer problem than the buildings suggest. Structure borne, so surface panels do nothing. It needs mass and decoupling in the floor, wall or ceiling first.

Where should the budget go first on a London project?

At source. Enclosure, barrier or anti vibration mounts at the machine. In the path. Duct lining, attenuators and lagging on the first run out of the plant.

Do you have an office or installation team in London?

No. We manufacture in India and supply into London. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.

How does material get to a London site?

ships from: Palwal, Haryana, India, arrives at: Felixstowe, London Gateway or Southampton, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. Grooved and custom colours take longer, and we say so before you order, not after.

What goes wrong most often on this kind of project?

Absorption on the office wall for a plant room problem. Lagging a duct that is carrying the noise as breakout from the fan.

What do you need from us to quote?

A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.

Next step

Tell us the room, we will tell you the build-up

Send what you have. We will give you a layer by layer build-up, a bill of quantities and a date material lands, and we will flag anything in the brief that will not achieve what you want.