For projects in Chicago
HVAC, plant and machine noise control in Chicago
Noise with a source. Almost every honest fix is at the machine, the duct or the plant room, and almost nothing useful happens by lining the far wall of the occupied space. Packaged rooftop units and ducted forced air are standard, so noise arrives through the duct rather than through the wall. Lining the first three metres of duct and treating the return path is usually the whole job.
- At source
- Enclosure, barrier or anti vibration mounts at the machine.
- In the path
- Duct lining, attenuators and lagging on the first run out of the plant.
- At the receiver
- Only after the first two, and only for what is left.
- Quote
- From a plan and a section, within 48 hours
01 / Start here
What this is, and what it changes in a Chicago room
Noise with a source. Almost every honest fix is at the machine, the duct or the plant room, and almost nothing useful happens by lining the far wall of the occupied space.
Packaged rooftop units and ducted forced air are standard, so noise arrives through the duct rather than through the wall. Lining the first three metres of duct and treating the return path is usually the whole job.
Work reaching us from Chicago is mostly two-flats and three-flats, high-rise apartments, offices, venues, schools, clinics.
- Elevated rail past the window Trains at window height put noise in through the glazing, not through the wall. The facade is where the money should go first.
- Brick outside, timber inside Two-flats and three-flats have solid masonry outside and timber floors between families. Footfall travels down and masonry does nothing about it.
- Sealed against hard winters Buildings close up for months and mechanical systems run hard, so sound accumulates inside rather than escaping.
- At source Enclosure, barrier or anti vibration mounts at the machine.
Full specification
Thickness, density, NRC by frequency, fire class, standard sizes and build-up detail for HVAC and plant noise control are on the main product page. This page covers what that means for a project in Chicago.
02 / The build-up
What goes where, from the structure in
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Layer 1
Soundproofing materials
The blocking side of the range taken together: mass loaded vinyl, resilient layers, cavity absorption and the build-ups they belong in. In Chicago, packaged rooftop units and ducted forced air are standard, so noise arrives through the duct rather than through the wall. Lining the first three metres of duct and treating the return path is usually the whole job.
Independent leaf. A second wall that does not touch the first. Nothing else comes close for the money.
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Layer 2
Acoustic foam and BassBloc
Open cell foam shapes for high frequency control, and BassBloc, a high density absorber built for the low mid range where ordinary foam does nothing. In Chicago, churches, school gyms and multipurpose halls double as performance spaces, which means a room designed for neither speech nor music has to carry both.
Corner loading. Low frequency energy collects in corners, so absorber in the corners does more than the same area spread across a wall.
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Layer 3
Ceiling baffles and clouds
PET felt suspended from the soffit, vertically as baffles or horizontally as clouds. In Chicago, public school buildings run long corridors with hard floors and lay-in tile ceilings that were chosen for cost, not for speech. Classroom reverberation and corridor spill are the two complaints, and both respond to ceiling area rather than wall panels.
Vertical baffles. Hung on edge in rows. Both faces absorb, so coverage figures based on plan area understate them.
If you are specifying for a Chicago project, we can give you a section, a BOQ and the honest limits of each layer. See how we support architects.
03 / Local conditions
What we see driving Chicago briefs
- Elevated rail past the window
Trains at window height put noise in through the glazing, not through the wall. The facade is where the money should go first.
- Brick outside, timber inside
Two-flats and three-flats have solid masonry outside and timber floors between families. Footfall travels down and masonry does nothing about it.
- Sealed against hard winters
Buildings close up for months and mechanical systems run hard, so sound accumulates inside rather than escaping.
- No port, so plan the inland leg
Everything arrives at a coast and rails in. We quote the sea leg and the inland leg separately.
- Plant and HVAC
Packaged rooftop units and ducted forced air are standard, so noise arrives through the duct rather than through the wall. Lining the first three metres of duct and treating the return path is usually the whole job.
04 / Room by room
Room by room, on a typical Chicago job
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At source
Enclosure, barrier or anti vibration mounts at the machine. Trains at window height put noise in through the glazing, not through the wall. The facade is where the money should go first.
- SoundBlanket mass loaded vinyl, 2100 kg per cubic metre
- Soundproofing materials, 1800 x 900 x 20 mm, 100 kg per cubic metre, NRC 0.85
- Ceiling baffles and clouds, Made to the drawing, standard and custom
-
In the path
Duct lining, attenuators and lagging on the first run out of the plant. Two-flats and three-flats have solid masonry outside and timber floors between families. Footfall travels down and masonry does nothing about it.
- SoundBlanket mass loaded vinyl, STC 30, 5.25 kg per sq m
- Soundproofing materials, Mass, then decoupling, then cavity absorption, then sealing
- Ceiling baffles and clouds, Both faces work, which is why suspended area outperforms the same area laid flat
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At the receiver
Only after the first two, and only for what is left. Buildings close up for months and mechanical systems run hard, so sound accumulates inside rather than escaping.
- SoundBlanket mass loaded vinyl, STC 34, 8.4 kg per sq m
- Soundproofing materials, ASTM E90 for the barrier, ASTM C423 for the absorber
- Ceiling baffles and clouds, ASTM C423
For a Chicago interior where the finish leads, we will say plainly what each option costs you acoustically. See how we work with interior designers.
04 / Climate
The Chicago climate decides the material list
Chicago is mild summers and cold, wet winters, and that narrows the material list before acoustics is discussed.
Cold external walls and long heating seasons make condensation behind a lining the thing to design out. PET felt is unaffected by damp air.
The failure we design against here is condensation and cold bridging behind new linings.
Consultants get the raw data, not a sales sheet. That is the whole of our side of the job, and it is set out under working with acoustic consultants.
06 / Read this first
The six errors that cost the most
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Absorption on the office wall for a plant room problem
Plant noise treated as a room problem is the most reliable way to spend a budget and change nothing anyone can hear.
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Lagging a duct that is carrying the noise as breakout from the fan
Plant noise treated as a room problem is the most reliable way to spend a budget and change nothing anyone can hear.
-
Ignoring structure borne vibration through the mounts
This is the one that comes back as a second fit-out rather than a snag.
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Treating it as a generic Chicago job
Trains at window height put noise in through the glazing, not through the wall. The facade is where the money should go first.
05 / Route to site
Supply into Chicago, start to site
| Ships from | Palwal, Haryana, India |
|---|---|
| Arrives at | An East or Gulf coast port, then rail and road inland |
| Dispatch | 4 to 7 working days |
| Freight | Sea, then rail inland |
| Support | Drawings, build-ups, BOQ and material that arrives complete |
Standard items dispatch in 4 to 7 working days. The sea leg from India is long, so plan the full door to door window into the programme. We give real dates, not optimistic ones.
Sea freight into an East or Gulf coast port, then rail and road to Chicago. Air freight for samples and urgent quantities.
Questions from Chicago projects
What makes HVAC, plant and machine noise control different in Chicago?
Packaged rooftop units and ducted forced air are standard, so noise arrives through the duct rather than through the wall. Lining the first three metres of duct and treating the return path is usually the whole job. Trains at window height put noise in through the glazing, not through the wall. The facade is where the money should go first.
Where should the budget go first on a Chicago project?
At source. Enclosure, barrier or anti vibration mounts at the machine. In the path. Duct lining, attenuators and lagging on the first run out of the plant.
Do you have an office or installation team in Chicago?
No. We manufacture in India and supply into Chicago. We give you drawings, build-ups, a BOQ and material that arrives complete, and we will tell you plainly when a job needs a local contractor we cannot be.
How does material get to a Chicago site?
ships from: Palwal, Haryana, India, arrives at: An East or Gulf coast port, then rail and road inland, dispatch: 4 to 7 working days. Standard items dispatch in 4 to 7 working days. The sea leg from India is long, so plan the full door to door window into the programme. We give real dates, not optimistic ones.
What goes wrong most often on this kind of project?
Absorption on the office wall for a plant room problem. Lagging a duct that is carrying the noise as breakout from the fan.
What do you need from us to quote?
A plan, a section through the critical partition or ceiling, and what the room is for. From that we can give a build-up and a BOQ rather than a price per square foot.
Next step
Send the drawings, get a straight answer
Send what you have. We will give you a layer by layer build-up, a bill of quantities and a date material lands, and we will flag anything in the brief that will not achieve what you want.